Author Archive

June 14, 2021

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Categories: Blog

“Animals of Niger,” an exhibition of work by the artist Manon Raman, was held on May 22 and 23, 2021 at the Taweydo Gallery in Niamey, Niger. The public was able to admire a selection of paintings portraying various Nigerien species. After the show ended, Manon Raman made the very generous decision to donate 25% of profits from sales of her work to the Sahara Conservation Fund (SCF), turning the art event into a chance to take action in support of conservation of the most endangered Sahelo-Saharian species in Niger. As Henri Matisse put it so aptly, “Painting should serve some other purpose than just painting.”

Manon Raman’s paintings are inspired by her environment. Fascinated by the traditional garments worn by Nigerien women, she incorporates their colors into her artwork. The lively hues are in sharp contrast with the generally more neutral Saharan landscapes, inviting us to look at the subjects with a fresh eye. As though she were telling the story of her life in Niger, Manon Raman’s work portrays her relationship to the people, the environment, and especially the animals present in this part of the world. An encounter between art and nature that made it possible to put several species that are dear to SCF in the spotlight. Although conservation work involves a wide range of sciences and scientists, this exhibit reminds us that it can also draw inspiration from other perspectives. By magnifying her vision of the animals of Niger, the artist provides a certain interpretation of the relationship between humans and nature – one that is brimming with emotion, bursting with color and overflowing with admiration. So it makes perfect sense for SCF to give pride of place to Manon Raman’s endeavor through the interview below.

                                

Can you tell us a little bit about your background?

I started out studying to be a director at the Belgian Royal Institute of Theater, Cinema and Sound, but soon realized that I wanted to work more with my hands. So I learned to do make-up for film, and worked in that field for a while. My interest in painting started when I was 21. I wanted to apply to a school that focused on make-up. But to get in you needed a portfolio. I hadn’t any experience with drawing or painting of any sort up until then, so I decided that I had to learn fast. In the end, I didn’t wind up applying to the school, but I did end up with a newfound love for art and creating.

What are the main themes of your work?

I have always been drawn to painting women. I love the shapes of the female body and like to portray them in a colorful and abstract way. Lately I have been experimenting with other themes and subjects, but I think painting women will always have a special place in my heart.

What were your first sources of inspiration when you arrived in Niger?

When I first arrived in Niger, I was so inspired by the colorful clothing and headdresses the women here wear. I brought that color into my work immediately, and I don’t think it has ever gone away since.

                               

We aren’t used to seeing animals like the dama gazelle in paintings. What made you choose species like them? Is there something special about the species you paint? How do you choose which ones?

After I decided to paint animals for this specific project, I did a lot of research into what animals live in Niger. I had never even heard of a lot of them, so that was definitely interesting. As soon as I found out that the dama gazelle was the national symbol of Niger, I had to include it in this series, of course.

Some of your paintings portray birds we don’t necessarily see every day in Niamey and that are not well-known species. How did you pick them?

During my time in Niamey, I met a bird enthusiast, and he actually sent me a list of all the bird species that he knew were in Niger. I did some research on all of them and then picked the ones that appealed to me the most.

Your paintings portray animals in bright and vivid colors. They contrast with the more neutral, sandy tones of the Sahelo-Saharan landscape. Why did you choose to do that?

The idea of painting animals in bright colors is something that evolved quite naturally. After I had painted my first colorful elephant, I remember thinking, ‘How nice and original,’ and being quite proud of myself. Then a few weeks later, I took a trip to Tanzania, where there were colorful paintings of animals everywhere. Ha-ha!

In my time in Niamey I’ve visited a lot of people’s homes, and I’ve noticed that most of them lack color. So I made it my mission to bring more color into people’s lives, as a contrast with the neutral, sandy tones we can’t seem to escape.

                                

How did your exhibition go? How did you feel about it?

The exhibition was great! The first night we had an opening party, and a lot of people showed up, which made me feel really good. In the three days the show ran, we sold over half of the paintings, which is truly amazing.

I think part of the success is definitely thanks to the beautiful environment. The show was at Taweydo Gallery in Niamey, which (to my knowledge, anyway) is one of the only galleries in Niamey. The owner tries to keep things authentic by providing natural light and keeping a sand floor. It really added to the whole vibe.

This exhibition is a way of turning the page on your experience in Niger. How do you envision the next stage of your career, in New York? Are you planning to keep working on the same themes as during your time in Niger?

I’m not quite sure what the future will bring, but I will definitely keep on painting. My next exhibition will be in Ghent, and it is inspired by my time in Niger, but after that I have nothing planned. I think I will let myself get inspired by New York and just see what happens creatively.

By donating a portion of the sales to SCF, you managed to connect your art to concern for the ecology. Have you ever done anything like that before, and do you think you will strengthen that bond in the future? 

When there were floods due to heavy rainfall in Niamey last September, I organized a fundraiser with the Radisson Blu to raise money for people who were affected by the floods. As a Belgian woman in Niger, I feel very privileged, and the inequality often bothers me. Organizing events like that makes me feel like I’m helping, in my own small way. It isn’t going to move mountains, but if everybody helped a little bit, the world would become a better place.

More generally, how does your concern for nature, endangered species, and biodiversity play out in your art and your daily life?

I like to think of myself as an environmentally conscious person, but there is definitely room for improvement. Through this project, I have actually learned a lot about Nigerien wildlife and endangered species, and I hope that other people also learned a bit more about them from the exhibition.

Thank you very much!
For more information and news about Manon Raman, please visit her website: : https://www.manonraman.com/

June 5, 2021

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Categories: Stories

Today, June 5, 2021, World Environment Day, marks the official beginning of a decisive period. Under the theme of ‘restoring ecosystems’, this well-known international day represents the launch of the United Nations Decade aimed at restoring the biological systems that underpin all life on Earth. The United Nations calls all countries of the world to unite to protect and restore ecosystem services for the benefit of nature and people, and will run from 2021 to 2030, the target date for achieving the Global Sustainable Development Goals.

Scientists state that this is the last window of opportunity to avoid catastrophic climate change. It is now essential to stop the degradation of the various environments on the planet, and restore them.

Covering an area of 10 million square kilometers, equivalent to the size of continental United States or China, and comprising more than 2,000 plant species and hundreds of animal species, the Sahelo-Saharan zone encompasses a range of ecosystems including; dunes, mountains, rocky massifs, wadis, and oases, that are extremely valuable for global biodiversity. This realm is extraordinarily richer and more varied than we are used to believe.

 

 

 

 

 

 

 

 

The spectre of climate change is also expanding this arid zone by 2 million hectares annually. This expansion of the desert region negatively impacts the diversity of these desert environments and species. The degradation of the Sahelo-Saharan vegetation cover is a visible phenomenon and relatively well known to the general public. What is not as well-known is the increasing disappearance of animals that are emblematic of a whole cultural and natural human history from the landscape. Experts are increasingly concerned about the extinction of wild antelope and bird populations that have already been reduced to very small numbers in their Sahelo-Saharan distribution areas. Poaching, overharvesting of natural resources, and human pressure in general continue to exert their toll.

 

 

 

 

 

 

 

 

 

While the Sahara Conservation Fund and its partners are doing their part, as best as possible, to save species such as the scimitar-horned oryx, the dama gazelle, the addax, and the North African ostrich, it is worth remembering, on this day dedicated to ecosystem restoration and at the beginning of a crucial decade for our not-so-distant future, that everyone has a role to play.

Keep in mind that all ecosystems deserve to be conserved, even the most arid, and that, like the Sahelo-Saharan zone, some environmental areas represent an immense ecosystem of global importance.

We ask that you be passionate about little-known species, whose extinction is taking place in silence. Talk about it with your friends and family. If you can, make a donation, even a small one, to field workers, scientists, NGOs of your choice. Keep learning about, but also from, nature. Stay informed and involved. Either way: take part in #generationrestoration now.

March 23, 2021

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Categories: Stories

The Sahara Conservation Fund (SCF) continues to monitor breeding vulture populations in Niger in an effort to learn more about the ecology and threats of these highly threatened birds. Currently, monitoring activities are concentrated in the Gadabeji Biosphere Reserve in the Maradi region and the Koutous Massif in the Zinder region.

In early 2020, it was noticed that Rüppell’s vultures (Gyps rueppelli) in the Koutous Massif – which is not a protected area – seemed to initiate their breeding season well before those nesting in the Gadabeji Biosphere Reserve. This was confirmed during a mission to both areas in late December 2020, during which three Rüppell’s vultures were observed already sitting on eggs in the cliffs of the Koutous Massif, and no vultures at all in the Gadabeji Biosphere Reserve – likely because vultures are only observed in the Reserve during the breeding season. More studies are required in order to explain the phenomenon of early breeding in the Koutous, however it is interesting to note the difference in habitats and nesting sites between the two regions. Rüppell’s vultures are known to nest in cliffs and the tree nesting behavior is mostly considered « rare » by specialists – while it seems that it could be not that rare in the Sahelian region. further studies are still necessary to know more on the ecology and distribution of the Rüppell’s vultures of the Koutous Massif year-round.

Towards the end of February 2021, a second mission allowed the team to observe the first two chicks of the season in the Koutous. These individuals were found among the 13 active Rüppell’s vultures nests that had been previously identified. Rüppell’s vultures share their habitat with Egyptian vultures (Neophron percnopterus), which have also begun to breed – a fact demonstrated by the observation of several incubating pairs.

 

 

 

 

 

 

 

 

Egyptian vultures in the Koutous Massif

During the same mission, the first active nests of the season in the Gadabeji Biosphere Reserve were also recorded, including two Rüppell’s nests and one white-headed vulture (Trigonoceps occipitalis) nest – all being incubated. Unfortunately, this is a very low number and although it is hoped that more individuals will join the Reserve as the breeding season progresses, it may be an indication of a reduction in numbers for this Critically Endangered vulture population.

 

 

 

 

 

 

 

 

Rüppell’s vultures in the Gadabeji Biosphere Reserve

Future visits will allow the team to collect more information on Niger’s breeding population of vultures, hopefully shedding more light on their ecology and their status. Alongside this, efforts are being made to raise awareness of the situation among local communities, water and forestry officials, hunters and other stakeholders. With this in mind, a guide for the conservation of vultures in Niger (in French) was produced by SCF and distributed to the main actors involved in the protection and monitoring of the birds. It is hoped that this will be beneficial to vulture conservation efforts in the long run.

Photos © Abdoul Razack Moussa Zabeirou

March 23, 2021

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Categories: Stories

The period between January and March of this year has been a busy one for the Ouadi Rimé-Ouadi Achim Project (POROA). One of many notable activities to have taken place is the launch of a training session for the project’s Awareness and Education Unit on behavioral changes related to environmental education. The POROA’s Awareness and Education Unit is responsible for raising awareness among the populations of the Ouadi Rimé-Ouadi Achim Game Reserve, specifically regarding to the use of its natural resources and the preservation of its biodiversity. Once the Reserve’s new management plan has been implemented through the POROA, the unit will be responsible for promoting the plan and its associated regulations to users of the Reserve. The intervention of the Derbianus Conservation NGO team, known for its successful field awareness campaigns on the Derby eland and its conservation in Senegal, will allow the Awareness and Education Unit, its manager and facilitators, to refine the awareness messages disseminated through their Environmental Education Caravans and other field work. The team is represented in the field by Jan Svitalek, a specialist in the relationship between local communities and natural resources in Africa.

Training session in the Ouadi Rimé-Ouadi Achim Game Reserve © Jan Svitalek

Furthermore, the POROA has spearheaded the training of 40 new guards for the reserve, in close collaboration with the Chadian authorities. The project orchestrated the construction of a training camp near the Reserve and participated in various phases of pre-selection and selection of candidates. The twelve-week training course is being conducted by Mellivora Systems and covers a wide range of topics, including terrain appreciation and knowledge, combat techniques and safety rules.

Pre-selection of candidates © Henry Bailey

The Reserve extends over 77,950 square kilometers in total, and although guards are already employed to protect it, the scale of this vast protected area makes their task difficult, particularly as they lack basic training and apparatus. Equipping the reserve with new, well-trained and well-resourced guards will therefore be a major step in improving its protection. The forty new guards will eventually be divided into six teams to ensure a permanent presence in the field, with the aim of countering threats such as poaching, bush fires and the degradation of large wadis where illegal logging and conversion to agriculture results in the loss of trees and woody vegetation contributing to desertification.

Finally, consultations and work on the development of the Reserve’s management plan are continuing, with a workshop on the pastoral and anthropological issues in the Reserve held from February 8th to 12th. The workshop allowed for the presentation of 22 new thematic maps of the Reserve in regards to these topics, with the participation of a member of the pastoral platform and a professor from the University of N’djamena. The scale of this task is unprecedented, especially given the immense size of the Reserve, and its success requires considerable dedication from the team and participants.

Fieldwork as part of the development of the Reserve’s management plan © Henry Bailey

44 days of dedicated field work were necessary and over 17,000 kilometers travelled, to develop the maps. This is all very good news for the project, which continues to see success, despite the ongoing difficulties faced by both the national and international communities in relation to the pandemic.

The project « Support for the development of the Ouadi Rimé-Ouadi Achim Game Reserve and the sustainable management of its biodiversity (POROA) » is part of the support program for the preservation of biodiversity and wildlife and fragile ecosystems of Central Africa (ECOFAC VI) funded by the 11th European Development Fund (EDF). The goal of the project is to preserve the biodiversity of the Ouadi Rimé-Ouadi Achim Game Reserve in an integrated and sustainable way.

March 23, 2021

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Categories: Stories

In December 2020, members of the Oryx Project team spotted three wild dama gazelles – one of the world’s most endangered species – visiting the Oryx Base Camp, almost on a daily basis. Then, in January, two of these individuals began to approach the enclosures where the Project’s three captive dama gazelles – a male, a female and a young female born on August 24, 2020 – are located. The team determined via observations that the wild individuals were females but aimed to find out more by setting up a camera trap near the enclosure. The photos obtained were later shared with the rest of the project team for consultation and confirmation.

Throughout January and February, the southern transhumance of nomads through the Reserve intensified. Their passage near the Oryx Base Camp disrupted the activity of the wild dama gazelles around the project gazelle enclosure, so much so that they eventually left. Despite this, one individual quickly returned, presumably attracted by the presence of the male in the enclosure. Given its persistence, the team thought it would be a good idea to devise a system that would allow the gazelle to join the group of three. To do so, they constructed an access point in one part of the enclosure, removed an area of fence and placed hay on the ground to further encourage the gazelle.

After roaming around the enclosure for several more days, the wild dama gazelle eventually decided to enter. The team on lookout quickly closed off the access point, opened the inner door the day after so that the group of four could interact, and moved away, aiming to limit the stress of the animals as they mixed.

After overcoming a brief period of nervousness, the new gazelle quickly integrated into the group.

SCF, the field team and the project partners are delighted with this success. But as the coming months are the driest and hottest of the year, maintaining these wild-born dama gazelles in captivity remains a delicate exercise. Everyone involved will therefore pay particular attention to the health of the group. Going forward, the field staff will rely on the experience they have already developed with the group of captive dama to ensure that the individuals are well looked after and are eventually in a position to strengthen the Reserve’s wild population of dama gazelles by successfully reproducing.

Photos © Marc Dethier

The Scimitar-horned Oryx Reintroduction Programme in Chad is a joint initiative of the Government of Chad and the Environment Agency–Abu Dhabi. Under the overall leadership and management of the Environment Agency–Abu Dhabi, on-the-ground implementation of the project is carried out by the Sahara Conservation Fund. In 2019, following a highly successful first phase of activities, EAD generously agreed to develop and fund a second five-year phase of operations. Phase II of the project maintains focus on building the oryx population but also adds new Sahelo-Saharan species to the mix, including the Critically Endangered addax antelope (Addax nasomaculatus), dama gazelle (Nanger dama), and North African ostrich (Struthio camelus camelus).

March 23, 2021

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Categories: Stories

In the Ouadi Rimé-Ouadi Achim Game Reserve (OROAGR) in Chad, the Sahara Conservation Fund’s (SCF) field staff are continuing to develop the captive group of North African ostriches (Struthio camelus camelus). Wild North African ostriches were once common in the Reserve, but disappeared several decades ago. Individuals from this captive group will be reintroduced once the population is large enough, in accordance with the ambitions of the Oryx Project Phase II.

Thanks to the much-appreciated collaboration with the Chadian wildlife authorities and African Parks Network (APN) / Ennedi Natural and Cultural Reserve  – APN providing ostriches from Zakouma National Park in southern Chad – SCF was able to establish a group of 11 individuals at the site, now one year old and in good shape. In early 2021, similar translocation operations from Zakouma to OROAGR  added another 15 ostriches to the group.

These individuals were aged between one and three weeks old, and are currently being kept separate from the original group, in order to avoid any age-related conflict.

In addition to these operations, SCF has been participating since January in a field study on ostrich predation, conducted by APN. Members of the Oryx Project team joined the APN team to take part in the field work. The study is being carried out in Zakouma National Park – where the ostriches live wild – and involves the inventory and mapping both of the population and of nesting sites.

After being fitted with GPS tags, most of the ostriches from the original captive group at the Base Camp will be released into the Reserve in July or August, while some could be kept for breeding. For now, the birds are receiving the best possible care from the SCF team on site, being offered a balanced diet and all the appropriate vaccinations needed to ensure good health.

In addition, the team is closely monitoring the behavior of the ostriches on a daily basis, checking that they are feeding and drinking properly, and have everything they need to stay sheltered and warm at night. This is especially important during the cooler months, as cold weather can be dangerous to young ostriches. Moving forward, SCF and all the project team and partners hope that conditions will be met for the release of some ostriches before the end of the year – an exciting step and one which will be a first for this region of Chad.

Photos © Marc Dethier

The Scimitar-horned Oryx Reintroduction Programme in Chad is a joint initiative of the Government of Chad and the Environment Agency–Abu Dhabi. Under the overall leadership and management of the Environment Agency–Abu Dhabi, on-the-ground implementation of the project is carried out by the Sahara Conservation Fund. In 2019, following a highly successful first phase of activities, EAD generously agreed to develop and fund a second five-year phase of operations. Phase II of the project maintains focus on building the oryx population but also adds new Sahelo-Saharan species to the mix, including the Critically Endangered addax antelope (Addax nasomaculatus), dama gazelle (Nanger dama), and North African ostrich (Struthio camelus camelus).

March 23, 2021

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Categories: Stories

On March 14, 2016, scimitar-horned oryx set foot on Chadian soil after an absence of almost 40 years. Welcomed back home like long-lost sons and daughters, the oryxs’ return was the fruit of cooperation between many players working hand in hand under the leadership of the Government of Chad and the Environment Agency Abu Dhabi.

Five years on and eight shipments later, a further 200 oryx have joined the initial twenty-five. Today, more than 360 oryx roam free in the Ouadi Rimé-Ouadi Achim Game Reserve, edging us closer and closer to our initial milestone of 500 breeding adults. Ultimately, we all want to see so many healthy and secure oryx that their conservation status is reclassified from Extinct in the Wild to a lower category of threat.

Of the initial 25 founders, at least 16 and possibly 19 are still alive. One female, initially named Blue 23 but now recollared as Red 02 (photo), has produced five calves, and others have performed similarly, producing a total of 42 calves, of which most have survived.

Conservation of wildlife and the restoration of extinct or critically endangered species is not a simple, one-off undertaking but a constant battle requiring major and permanent commitment. Overhunting saw the oryx disappear from Africa in the 1980s but there will always be new threats and new challenges moving forwards. Bushfire is now a major concern, something that hardly ever occurred in the past. Solid partnership has so far enabled us to achieve some truly remarkable results and it is this same spirit of working together that will ensure the growth and prosperity of the oryx population and its struggle back from the brink.

The Scimitar-horned Oryx Reintroduction Programme in Chad is a joint initiative of the Government of Chad and the Environment Agency–Abu Dhabi. Under the overall leadership and management of the Environment Agency–Abu Dhabi, on-the-ground implementation of the project is carried out by the Sahara Conservation Fund. In 2019, following a highly successful first phase of activities, EAD generously agreed to develop and fund a second five-year phase of operations. Phase II of the project maintains focus on building the oryx population but also adds new Sahelo-Saharan species to the mix, including the Critically Endangered addax antelope (Addax nasomaculatus), dama gazelle (Nanger dama), and North African ostrich (Struthio camelus camelus).

March 23, 2021

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Categories: Blog

On a routine monitoring patrol in  late January 2021, SCF’s long term oryx monitoring team member Habib Ali, who has been with the project since the start, came across an untagged female oryx with a young calf at foot.  Judging by the horn development, he estimated the new calf was around one month old and he suspected it has not been encountered before. After entering the observation into the oryx data base he took a good photo of the pair to complete the record. The lack of any tags on the female clearly showed she was herself one of the first generation of oryx born in the wild since the oryx re-introduction project has begun, and now she too had a calf of her own.

But there was more, because the photo clearly showed two distinctive white spots on the face mask of the female. A quick check through the project’s photo library of individual oryx  confirmed that the spot pattern exactly matched an oryx we had seen before.  It became clear that the new mother is the first of three calves born on Chad to a founder female from Abu Dhabi and released in January 2017.  That female, wearing a satellite collar marked ‘36’ in red letters (giving her the rather dull identity code name ‘R36 F’) produced  her first calf in March  2018.  Logically, but equally dully, the calf became known as R36-01F.  More interestingly, although nothing unusual was noticed about her colouring as a new-born, by 3 months of age and still accompanying her mother, two  distinctive clean white spots appeared on the face mask of R36-01 as her adult coat colouring developed. Using these spot marks, the team were able to keep track of this wild born female on and off for the first 18 months of her life, but observations stopped in August 2019 – until Habib took his photo of R36-01 with her own first calf on 21 January 2021 – !!

Oryx R36-01F. Photos © Tim Wacher

Whilst gratifying in itself, this anecdote points the way to a number of very interesting questions about the oryx and their reintroduction that the project aims to answer.

March 2018, when our spotted female was born, was the middle of a very harsh and hot dry season.  Around 30% of females giving birth in that season experienced calf mortalites.  Not of itself unusual for wild ungulates in poor conditions.  But evidently R36 F successfully raised her first calf through that period. We also know that through the four weeks after R36-01 was born, the new mother and calf were seen (12 times) always in a group of 3, accompanied only by the adult male R23M.   Commonly a new conception occurs as a result of this ‘consortship’ behaviour.  But the records show clearly that in this instance, either R36 F did not conceive at all despite the consistent presence and courtship of R23M, or she aborted any resulting pregnancy at an early stage. That is sure because she did not produce her second calf  until 15 months later, when she formed a consortship with one of the biggest and oldest founder males, B40M.  Based on knowledge of average gestation lengths derived from zoo records, that means the second calf was not conceived until c. September in the late   2018 wet season. But her third calf arrived promptly 8.5 months later, confirming no delay in conception after giving birth in June 2019.

Oryx R36-01 and calf R36-01-01. Photo © Habib Ali

Assessing calf productivity and survival are both key measures of project success.  Thanks to EAD’s extensive collaring of founders, the project has  good preliminary estimates of successful calf production.  But the story of B36 F and her three calves to date illustrate how we are now getting into a position where a deeper understanding of the way season, and year to year variation in conditions may affect this, by analysing across the full set of known individuals over several years.  The natural markings of our 2 spotted oryx have allowed the project to confirm one  wild-born oryx has herself survived to breeding age.  But only because she can be recognised.  In order to obtain an estimate measure of the general rate of wild-born calf survival, the project introduced the wild calf ear tagging program in late 2019.  Since then (and ongoing), the team have tagged 41 wild born oryx calves.  And  R36 F’s third calf, probably a half-brother to R36-01, is among them, now wearing the green ear tag G1355.  Of course to assess the probabilities of survival to breeding age, we will have to keep looking for and recording all sightings of all these oryx  for at least the next 2-3 years as they mature to breeding age.  And there will be complications taking account of variation in  ‘findability’ of individual oryx, as satellite collars drop and ear tags may fall out.  But that is for the back room analysis! In the first instance we hope to record  as many cases of known wild-born oryx themselves with calves at foot or forming consortships as possible.

By Tim Wacher, John Newby

The Scimitar-horned Oryx Reintroduction Programme in Chad is a joint initiative of the Government of Chad and the Environment Agency–Abu Dhabi. Under the overall leadership and management of the Environment Agency–Abu Dhabi, on-the-ground implementation of the project is carried out by the Sahara Conservation Fund. In 2019, following a highly successful first phase of activities, EAD generously agreed to develop and fund a second five-year phase of operations. Phase II of the project maintains focus on building the oryx population but also adds new Sahelo-Saharan species to the mix, including the Critically Endangered addax antelope (Addax nasomaculatus), dama gazelle (Nanger dama), and North African ostrich (Struthio camelus camelus).

March 4, 2021

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Categories: Media Coverage

The Sahara Conservation Fund’s (SCF) recent participation in the publication of researcher and photographer Ugo Mellone’s latest book – Erg | Reg – was done with the aim of increasing awareness of the Saharan region. The book offers a new perspective on the desert ecosystem, focussing on extinct or critically endangered species such as the addax and the scimitar-horned oryx.

Since the book’s publication in late 2020, elements of it have featured in a range of different media, including the French magazine ‘Geo’, the Spanish magazine ‘El Pais Semenal’ and the Italian magazine ‘Asferico’.

It has also featured in ‘New Scientist’, with a recent article touching upon some of the photographs Mellone captured of Cuvier’s gazelles. The article explains how the photos were taken, as well as going into detail about why this species – along with other large Saharan animals – is struggling to survive. Furthermore, Ugo Mellone’s work and photographs have been included in ‘BBC Wildlife Magazine’. This particular publication featured the work of SCF alongside Mellone’s, helping to bring the efforts of SCF to audiences around the world.

The success of Erg | Reg therefore has positive implications for the Saharan region and its wildlife, as well as for the people and cultures who depend on it. Many inhabitants of the Sahara live nomadic or pastoral lifestyles and the health of the ecosystem is key to their livelihoods. As more people understand the plight of the Sahara and are made aware of the work SCF is doing to improve the fortunes of this unique environment, the better its chances will be in the long-run.

Ugo Mellone’s book, Erg | Reg, is still available for purchase online here.